Digital Round Up: Google Music launches
Just about one year after Google had originally planned to unveil Google Music, a service that spent much of the last two years changing in concept and approach, and of course engaging in numerous negotiations with record labels, the (almost) fully-fledged music service was revealed yesterday. Three of the four (soon to be two of the three) major labels are onboard, with music available from Universal, Sony and EMI, while Warner Music is expected to be joining sometime soon. So how does it work? Basically it’s similar to how Google Music Beta worked, with a locker where users can upload up to 20,000 songs for free, regardless of where they originated, but now Google has its own digital music store tied to the Android market as well, where users can purchase music that automatically goes to their lockers. There’s also a tie-up with T-Mobile that allows customers of the carrier to download music and have it included with their monthly billing. And that “twist,” which was teased recently, is indeed a sharing feature. Users can share songs or albums with anyone on Google+, who can then listen to the song or album once in its entirety for free. Additionally there is an Artist Hub feature, a much more interesting twist for independent artists, who can create their own page within the Google Music marketplace, and sell directly to customers without a middleman and collect their 70% cut of each sale… Much of the discussion following the release of the new service has been approached in the Google Music vs. iTunes manner – Apple finally launched iTunes Match last week with less fanfare – but as some observers are astutely pointing out, it isn’t about an iTunes-killer for Google, at least not right now. There are differences – Apple has the ’scan and match’ feature which bypasses the lengthy upload process, but Google Music offers almost the same amount of cloud storage for free – Apple has almost a decade-long head start, but Google is putting links into YouTube music videos that go directly to the song in their music store. But what’s important to each user varies, and more importantly it has to do with what kind of device someone owns. Android-based smartphones hold over 50% of the market currently, and what Google really did, is fill the huge mobile music void on the platform… And when it comes to how all the new subscription music players fit in with the overall discourse, as Evolver.fm points out, they’re two different animals all together. The Spotify’s, MOG’s, Rdio’s, etc of the world put a plethora of music at your fingertips, but they don’t allow users to ‘own’ their music, which is still a problem for many people. However, they’re great discovery or sampling tools, because you don’t have to commit to buying something (or heading to the torrents) before being able to make it accessible across multiple devices. Will something new that is the best of both worlds come along? Time will tell.
01.10.11Monday Scuttlebutt: EMI Countdown, Hands in the Cookie Jar & KKR’s BMG Wants It All
Handing over to Citigroup?
Less than a month ago, reports were indicating that a deal might see EMI change hands from Terra Firma to lender Citigroup before Christmas, a result of negotiations following Guy Hands courtroom defeat – seen by most as a last ditch effort to maintain control of the music company. Still yet to happen, reports over the weekend are indicating that it may only be a matter of weeks before Hands relinquishes control of EMI to Citi, who is rumored to already be lining up potential suitors for both the recorded music and publishing divisions. In what some see as further corroboration is the disclosure of a £12m dividend taken by Hands last year, which is an amount five times the company’s after-tax profits, though also less than a quarter of the personal funds he told the New York court he had put into EMI… Who is the most likely to bid on EMI if Citi takes control? The Guardian reports that just last Friday it was being heavily rumored that the recorded music arm would be quickly sold by Citi to Warner Music Group, while the publishing would be acquired by KKR’s BMG Rights Management. Though further reports this morning reveal that BMG RM could be interested in both arms of EMI, but not the production or distribution sides. If so, this could create a scenario that harkens back to talks held by EMI with rivals Sony and Universal last year, exploring the option of raising funds by licensing its catalogue for distribution. Depending on how it goes down, everyone could be in on this, one way or another…
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Place Your Bets: The Shuffling Artist Deck at Majors and Indies
Weezer Going To An Indie For Next Release?
Who’s signing where, and what does it mean? Indie acts going to majors, major label artists aligning with indies, and both systems vying to nab the same unsigned bands… Looking back at recent months there is a veritable mixed bag. There are artists with a history of at least a few successful indie releases under their belts, like Band of Horses and Iron & Wine, who have recently made the jump to major labels, Columbia and Warner Bros. respectively, while other acts like Spoon and Arcade Fire seem to continually be content on indies… Elsewhere new act Surfer Blood appears to have already made the move to a major; just 6-months following the Kanine Records release of the band’s debut album, the group had racked up enough sales and touring numbers to garner serious interest from multiple labels… This while unsigned acts with no real sales or tour history like GroupLove and DOM, are currently being courted by both major labels and indies, seemingly so as to not miss out on what could be… What about the reverse trend? Not counting heritage acts, or the exhaustingly-debated pay-what-you-want path taken by Radiohead and NIN among others, one could point to recent examples in Interpol and Wilco as once major label artists now leaving for an indie (their own new label in the case of Wilco). But will there be more to come (or go, as it is)? Word on the street is that longtime Universal artist, Weezer, who released all seven of their previous studio albums on DGC and Geffen, are making a move to a big indie label for their next album. Hmmm… And finally where do the two now meet? A new project to watch unfold will be The Secret Sisters, who recently finished recording their debut with producers Dave Cobb and T-Bone Burnett. A large buzz is building with the news that the first single from the duo will be released via the Jack White helmed Third Man Records, with the full-length already slated to come out on Universal Republic this fall… Stay Tuned.
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