Jenny Lewis among new SAM clients

Catching up on recent news from the artist management sector, the roster at John Silva’s shop, Silva Artist Management, which includes a slew of top-tier acts like Foo Fighters, Beck, Beastie Boys and more, has been growing recently with notable additions including Norah Jones and Jenny Lewis – both who come to SAM after leaving their longtime managers.  Jones is featured on songs on the upcoming Ryan Adams release Ashes & Fire and is finishing up a new album from her side project Little Willies, while Lewis is preparing for a string of sold out shows for her October I Heart Cali tour. Silva is rumored to have picked up M. Ward as a client as well, with some making note of the independent label artist additions to the mostly major label acts on SAM’s line-up. The indie balladeer is also one-half of the She & Him duo who is managed by Zeitgeist… Speaking of Zeitgeist, the management boutique is now handling duties for Surfer Blood… Meanwhile, Red Light Management’s Jason Colton continues to be early and in the running for the potential who’s-next of indie groups, including a new buzz-act coming out of the Pacific Northwest. More on that later… And proving the full-service label/management model isn’t just for the majors, last month the formation of Fort William was announced, a new management firm launched by the co-founders of label trio of Secretly Canadian, Jagjaguwar and Dead Oceans along with former Zeitgeist manager Ami Spishok. While separate in name, presumably the resources and staffing on the label side is a significant boon for artists under the management roster as well. While not entirely a new phenomenon, observers share that more indie labels are preparing to follow a similar path, as part of an overall paradigm shift, along with the fact that many already are doing work beyond merely the scope of a record label… Elsewhere, Spoon-muse Ron Laffitte is now at Front Line Management, Myles Lewis joins 19 Entertainment from his recent A&R post at Epic Records and Ben Weber has left Flatiron Management.

Austin's David Ramirez @ Hotel Cafe, Tues 09/13 - 7:00PM

Mon. Sep 12th - Kopecky Family Band @ Troubadour  (view) (listen)

Tue. Sep 13th - David Ramirez @ Hotel Cafe  (view) (listen)

Wed. Sep 14th – The Wind @ Silverlake Lounge (view) (listen)

Thurs. Sep 15th – Sleeping Bags @ Bootleg (view) (listen)

Fri. Sep 16th – Surfer Blood @ Echoplex (view) (listen)

Sharon Van Etten, Epic, indeed

The torrent of those year-end lists is still coming thick and fast from all corners of the media, with some of the latest being Amazon’s best of, Rhapsody’s picks, Drowned In Sound and Stereogum’s top 50. Scanning through many of the lists, the big question doesn’t seem to be, “How many places will pick Kanye West as album of the year?” but more likely “How many places won’t?” Well, I can tell you, as much as Indie Dispatches appreciates the record, and definitely got our money’s worth buying the digital album for 99 cents on Amazon.com, it’s (not so) sad to say the opus didnt make our short list. Instead here are ten picks we enjoyed an awful lot during 2010 – some you may have listened to and others you may well have not…

Sharon Van Etten – Epic (Ba Da Bing) – One of those ‘word-of-mouth’ records that has benefitted from the new frontier of the internet and the marvels of social media. Friends espousing their love of this Brooklyn artist on Facebook, an album purchase, and instant love. Further posting on Facebook about the glorious nature of this album – its engaging songwriting and classic feel – and the word spreads. Pure magic.

Gold Panda – Lucky Shiner (Ghostly International) – Ah, the joys of laptop electronica. This record seemingly came out of nowhere and set itself apart from its contemporaries (such as Four Tet, Baths, etc) with its progressive sounds, catchy melodies and infectious beats.

Avi Buffalo – Avi Buffalo (Sub Pop) – A bunch of teenagers from LBC form a band, make a record, sign to one of the coolest labels around and capture the attention of music fans across the world, all led by a diminutive (and naive) guitar meastro after whom the combo is named. The lyrics express (at times in a raw fashion) the angst of being a teen, but the songs are for the ages.

Sally Seltmann – Heart That’s Pounding (Arts & Crafts) – I recently rediscovered this album, marvelling at its brilliance all over again, and ended up listening to it 10 times in a row. As great as some of the much praised artists in this ‘girl singer over electro beats’ genre (read Annie, Saint Etienne), I have a feeling the sales were terrible (probably the ‘best, worst selling record of 2010′), which is criminal, despite Seltmann being the spouse of a member of Avalanches and the writer of Feist’s monster hit.

Villagers – Becoming a Jackal (Domino) – See SVE… but from Dublin, Ireland. People who ‘got’ this record fell in love and were enthralled by its majesty. Some of the best lyrics around, and coming from a country that is known for its A-grade balladeers. And whether it was just leader Conor O’Brien on stage solo, or with his band, the live shows were jaw dropping.

Dylan LeBlanc – Pauper’s Field (Rough Trade) –  Alas, I think this release was lost amongst the blogger frenzy for label mates Warpaint and Morning Benders, which was a crying shame. LeBlanc is steeped in the whole country-soul canon with personal ties to the Muscle Shoals/Fame recordings family of musicians, which set him apart on this album from the rest of his singer-songwriter contemporaries.

Superchunk – Majesty Shredding (Merge) – A bunch of old(er) folk make their first album in nine years, and at the same time, show all the youthful pretenders half their age how it is done. Great energy, super songs and reminding the world why Superchunk was one of the best bands in the 90’s (and still are). Come back of the year and a record that more than holds its own with anything in 2010.

Best Coast – Crazy Like You (Mexican Summer) – 2010 was a bleak year to be an American, with high unemployment, economic troubles, housing traumas, political turmoil… what better time would there be to throw all the cares away with an album of summery beach pop. Pure escapism, and quintessentially Californian.

Phantogram – Eyelid Movies (Barsuk) – An album that might have been more at home on Warp or Modular, rather than the house that Death Cab for Cutie built, but it’s 2010, so who’s discriminating. See Gold Panda… with vocals.

Holly Miranda – The Magician’s Private Library (XL) –  Who knew that the mantle of Jeff Buckley would be taken up by the former singer of a relatively average NY indie rock band, with help from a member of TVOTR? The album got made and sat in limbo for an age, before XL Recordings stepped in (thank goodness)… Anchored by Miranda’s entrancing vocals, seemingly swooping down from heaven.

And worthy of notable mention for providing great listening pleasure at various times during 2010, in no particular order… Fences Fences , Fitz & The Tantrums Picking Up the Pieces, Glasser Ring, The Head and the Heart The Head and the Heart, Surf City Kudos, Owen Pallett Heartland, Magic Kids Memphis , Local Natives Gorilla Manor, Surfer Blood Astro Coast.

- Cool Hand Luke

Weezer Going To An Indie For Next Release?

Who’s signing where, and what does it mean?  Indie acts going to majors, major label artists aligning with indies, and both systems vying to nab the same unsigned bands… Looking back at recent months there is a veritable mixed bag. There are artists with a history of at least a few successful indie releases under their belts, like Band of Horses and Iron & Wine, who have recently made the jump to major labels, Columbia and Warner Bros. respectively, while other acts like Spoon and Arcade Fire seem to continually be content on indies… Elsewhere new act Surfer Blood appears to have already made the move to a major; just 6-months following the Kanine Records release of the band’s debut album, the group had racked up enough sales and touring numbers to garner serious interest from multiple labels…  This while unsigned acts with no real sales or tour history like GroupLove and DOM, are currently being courted by both major labels and indies, seemingly so as to not miss out on what could be… What about the reverse trend? Not counting heritage acts, or the exhaustingly-debated pay-what-you-want path taken by Radiohead and NIN among others, one could point to recent examples in Interpol and Wilco as once major label artists now leaving for an indie (their own new label in the case of Wilco). But will there be more to come (or go, as it is)? Word on the street is that longtime Universal artist, Weezer, who released all seven of their previous studio albums on DGC and Geffen, are making a move to a big indie label for their next album. Hmmm… And finally where do the two now meet? A new project to watch unfold will be The Secret Sisters, who recently finished recording their debut with producers Dave Cobb and T-Bone Burnett.  A large buzz  is building with the news that the first single from the duo will be released via the Jack White helmed Third Man Records, with the full-length already slated to come out on Universal Republic this fall… Stay Tuned.

Top Ten of '10 So Far

In a flash half of the year has flown by and thoughts are turning to BBQ’s, the beach and the ubiquitous ‘best of the year so far’ lists… In a busy six months there have been standouts, some obvious, some maybe not so…

- – -

Avi Buffalo Avi Buffalo (Sub Pop) – What were you doing when you were 17 years of age? Chances are you were still fretting over skin problems, obsessing about cheerleaders, and trying to cadge school assignments off fellow classmates. I can guarantee what you were not doing, was writing and recording one of the most accomplished indie releases of this year (or any other actually), as young Avi has done.  ”What’s In It For” is the proverbial ‘feel good hit of summer’ and it just goes on from there.

Villagers Becoming a Jackal (Domino) – The folk clubs of the world are littered with the bones of average singer songwriters, so it is a reason to rejoice when one emerges from the pack with special talents. And the fresh-faced Conor J. O’Brien’s cupboard is overflowing in that department, as evidenced by his debut solo album. Another youngster showing that the future is very, very bright.

Sally Seltmann Heart That’s Pounding (Arts & Crafts) – “Sally who?” you say? An Australia formerly disguised behind her New Buffalo moniker, the (almost anonymous) writer of Feist’s hit “1-2-3-4″ released an album that is front-to-back choc-full of infectious sing-along pop tunes. The release may have been low key, but the talents within are far from it. Oh, and Sally is married to Darren Seltmann, head honcho of The Avalanches, and It doesnt get much cooler than that.

Hey Marseilles To Travels and Trunks (Onto) – this is cheating as the album had been self-released in ‘08, but a spruced up repackage and ‘proper’ release justifies its inclusion here. Including a lot of the great elements of fellow-Northwesterers The Decemberists, but without the tendency for their rather tiresome sea shanty-isms. Some strings, some horns and some handclaps, makes this a thoroughly enjoyable multi-layered album.

Holly Miranda The Magician’s Private Library (XL) – Anyone who saw the young Jeff Buckley play his legendary shows at Sin-E in NYC in the 90’s will wax lyrically about his presence and the sheer majesty of his voice – a captivating spell that enveloped the listener. Miranda, formerly of New Yorkers Jealous Girlfriends, with help from TVOTR’s Dave Sitek, surprised everyone by duplicating that magic on her debut solo album – a record that, considering its beauty, lay around for way too long searching for a home, before XL thankfully picked it up for release.

Surfer Blood Astrocoast (Kanine) – Warranting inclusion, if only for the track “Swim”. They may be, at heart, the new Weezer, but these Florida kids have more than one sing-along indie hit on their debut release. Joining Best Coast, WAVVES and their brethren in the ‘new beach scene’ of 2010.

She & Him Volume 2 (Merge) – Even without Zooey Deschanel’s status as the #1 indie rock heartthrob, this record would still be close to the top as one of the year’s best, and rightfully deserving its smashing opening week chart position. Deschanel brims with 60’s girl group sweetness, and is more effervescent than a vintage soda shop, backed by the solid chops of elder statesman M. Ward. Bonus points for the version of “Gonna Get Along Without You Now”, (which the Lemonheads covered with great results in the 90’s)

Phantogram Eyelid Movies (Barsuk) – Barsuk may not have been the most obvious label to release this slab of throbbing electronica, and Saratoga Springs may not be the most obvious hometown, but that shouldn’t disguise this New York duo’s class. Like early LCD Soundsystem, or acclaimed French group M-83, the album is a hypnotic swirling beat-driven classic, which live they take to another sweaty, grooving level.

Sleigh Bells Treats (Mom & Pop) – Another duo, this time from Brooklyn, who could be the most newsworthy two piece since The White Stripes, or The Kills at least. A chartbusting debut album that could be seen as the dark underbelly to the squishy fuzziness of a band like the Ting Tings. In two year’s time people may not care, but Sleigh Bells have definitely succeeded in capturing the zeitgeist in 2010.

Karen Elson The Ghost Who Walks (XL) – She may be better known as a model, and of course, as Mrs Jack White, but Elson shows on her album that she can make an album combining some classic elements into a cohesive whole – a dose of Tammy Wynette, a splash of Ann Margret, some Nico and a heavy serving of Bobby Gentry.

- Cool Hand Luke

The Shins Release "Goodbye Girl" on Levi's Pioneer Sessions

The Shins cover of Squeeze’s “Goodbye Girl” is the latest offering from Levi’s Pioneer Sessions. So far the project has featured cover songs from Nas, The Swell Season, She & Him with tracks from Passion Pit and The Kills among others on the way… Treats, the debut album from Sleigh Bells saw a wider physical release this week,  bumping the album up to #55 on the charts… Tuesday night at the Echoplex was a sold-out crowd for Health and Best Coast… And it appears Surfer Blood is the next band to make the jump from indie Kanine Records to a major label.  This follows Chairlift’s move from the indie to Columbia Records last year…

Dangerbird Records Signs Manchester's Delphic

The balmy Los Angeles weather had a whole stack of music fans and industry folk checking out bands on the rise, eating bacon-wrapped hot dogs and generally hanging out in historic Echo Park for the recent inaugural Waved Out Festival at the Echo/Echoplex. Kudos to the folks at Spaceland, who with help from Aquarium Drunkard put on the eastside event that was full of good vibes and from what we’re told is the first of what will be a series of similar affairs coming in 2010. Think of a mini-version of NY’s Siren Festival. The ‘one admission’ ticket across the two venues encouraged people to check out acts that they otherwise might have not investigated. This included local up-and-comers Gamblehouse and Atlanta’s The Coathangers, who came out with classic Pacific Northwest 90’s Riot grrrl rock swagger. The surprise of the day was San Francisco’s psychedelic Moon Duo – the two-piece is buzzing after some Pitchfork love for their recent SXSW shows. The all-day event was topped off with sets from Best Coast, the nom de plume of L.A. local Bethany Cosentino who has over 20k digital downloads and more than a couple premier indie labels in pursuit, followed by one of this year’s most-talked about acts at SXSW, Surfer Blood.  The latter played to a packed room, including a heavy contingent of top brass from Warner Bros. Records. Their release Astrocoast has sold over 20k on Kanine Records, and many are wondering if they will be the next act from the indie to be launched onto a major label following Chairlift’s promotion to Columbia Records…

More from the indie label front as Dangerbird Records continues their signing spree. After recently announcing the addition of both Minus the Bear and Hot Hot Heat to their expanding roster, this week they added more international flavor by signing Manchester’s Delphic. The combo’s new album Acolyte debuted in the UK top 10 earlier this year and will see a June release in the states.

- Cool Hand Luke

Pat Grossi is Active Child: One to Watch @ SXSW

As the mass music migration to Austin for SXSW begins next week, we know many folks are scrambling to get travel and accommodations in order (e.g. booking last minute flights, hotel rooms, couches and floors to sleep on, etc..). But in between sending party RSVP’s and stocking up on Airborne, make sure to check out the LP Questionnaire/Pick 3 series over on SXSW.com. Some of our favorite tid bits include fun facts and recommended artist-picks from notable industry friends and artists such as Nic Adler, Matthew Mayfield and the DeSavia/Knoepfle/Briggs trio. Now on to pt. 2…

Expect to see lots of festival goers and industry folks checking out The Young Veins. The new Crush-managed act is comprised of two former members of Panic! At the Disco. Their upcoming tour with Boston’s Bad Rabbits, who are garnering a good level of interest as well, will see both bands making stops at the festival… Indie-pop songstress Meiko will play Thursday night (3/18) at The Parish and it looks like her sophomore album will see a summer release, most likely on Interscope. Expect to see publishers in attendance… Labels are keeping an eye on California duo HoneyHoney who play the ASCAP showcase on Wednesday night (3/17), while Obi Best, who also sings backup with The Bird and The Bee, will be playing the ASCAP’s Friday (3/19) show… Surfer Blood have a full dance-card in Austin, with lots of performances scheduled. The Florida indie-rockers will mostly likely be seeing a lot of attention from both domestic and international on-lookers… Pat Grossi, who performs as Active Child, will also be busy with a number of shows next week, including the Thursday (3/18) Filter showcase at Cedar Street; the L.A. local has recently received numerous positive nods in tastemaker press… Those sticking it out through Saturday (3/20) should catch electro-dance act Pretty Lights at La Zona Rosa. The group’s first two albums have over 300,000 downloads and they head to Austin on the tail of five sold-out dates in their home state of Colorado. Classixx is another electronic duo to catch, they play the Green Label Sound showcase on Friday (3/19)… Finally a little trivia: How many 90’s-era rock acts playing secret shows during SXSW can you name? The winner gets a limited edition signed 7″ from Pedro the Singing Monkey…