All posts tagged Irving Azoff

Apple’s Antennagate & Live Nation’s Slideshow

Become an Arena Act in the time it will take to get your free iPhone 4 Case

Lots of chatter continued over the weekend on the heels of two high profile presentations last week… Steve Jobs addressed the infamous antenna on Apple‘s new iPhone 4 with a range of figures and explanations, including a comparison of other popular smartphones that were shown to be equally or more deficient in the same area that is raising huge concerns over the new iPhone.  The other phones mentioned included the Blackberry Bold, made by Research in Motion, who following the presentation issued a statement declaring, ”Apple’s claims about RIM products appear to be deliberate attempts to distort the public’s understanding of an antenna design issue and to deflect attention from Apple’s difficult situation.”… Elsewhere Live Nation is facing increased derision, adding to an already highly publicized poor summer concert climate, after last week’s investor presentation from Michael Rapino and Irving Azoff.  The presentation included one slide in particular that is getting a lot of industry attention for its illustration of the company’s “new model,” which has an artist’s trajectory going from relative anonymity to arena sell-out in just 3 months…

In Case You Missed It: Reading Recap

The Video Site Hits the 5 Year Mark; 2 Billion Views a Day

YouTube celebrated its 5-year anniversary this week, and announced some impressive statistics, including the site’s 2-billion views per day and a #3 ranking for most visited sites on the web… Computer processor maker Intel and lifestyle media group Vice make for strange bedfellows, as the two have announced a new partnership to bring together The Creators Project where “curated artworks and installations, screenings, a panel discussion and dozens of performances by creators from all over the world,” which will take place in cities like New York and London over the summer… Mobile start up mspot beat Apple to the punch and unveiled its new free music-in-the-cloud service that allows users to sync music collections across Android phones and PC/Mac computers… Not far behind was Google‘s announcement of its acquisition of Simplify Media at the Google I/O conference on Thursday. Simplify’s software allows users to stream home music libraries on mobile devices… Elsewhere, data shows that the iTunes Store now accounts for more than half of all digital music sales, increasing by more than 5% from 2008-2009… Axl is suing Irving… And Harmonix announced strong early numbers for its Rock Band Network

In Case You Missed It: Reading Recap

Always Front & Center... This Week: Adobe, iAds & Lala

Last weekend saw the news that EMI Music chairman Charles Allen is reportedly pulling back from his strategy to sell-off parts of the music group in an effort to righten the company’s state of financial disorder… The New York Times published a lengthy piece focusing on the new Live Nation Entertainment and its leading duo Irving Azoff and Michael RapinoRhapsody beat out other mobile music services this week by being getting its new iPhone app approved by Apple, making it the first service in the U.S. market to allow users to store subscription music in the phone’s memory… A lot more Apple in the headlines this week as Steve Jobs publicly sounded-off on his company’s continued stance against supporting Adobe Flash on its mobile devices. Billboard takes a look at what that means for music, while questions remain on how it all could relate to Apple’s imminent iAds platform that will likely cost advertisers at least $1 million dollars to buy into the new ad network… UK-based streaming service We7 announced that during the month of March, and for the first time ever, it had covered all operating and royalty costs with advertising revenue, making it the first company in the the ad-funded space to do so… Elsewhere, David Letterman‘s Worldwide Pants Inc. has started a record label, and its first release will be Orange County’s Runner Runner… And many are wondering if the freshly posted notice from Lala that it will be shutting down on May 31st and is no longer accepting new users means an iTunes in the cloud is finally on the way…

Missy Worth Shares Her Artistic License with RM64 in Our Last Q&A of ’09

Missy at the Artistic License mgmt office

When industry veteran Missy Worth finally agreed to a Q&A session with us, we knew we were in store for some great industry stories. Today she manages prolific punk rockers Rise Against along with indie stalwart Spill Canvas, but she has also guided the early development of artists such as Jeff Buckley, Alice In Chains and OneRepublic, among others. Her career spans a very colorful and exciting time in the business. A resume that includes running labels, concert promotion and artist management, while working with some of the industry’s most powerful and iconic figures —Irving Azoff, Michael Lippman, Donnie Ienner and Sandy Gallin to name a few. Pay close attention. She shares a lot of insight and perspective. You might learn a thing or two. We certainly did.

RM64: What was your first job in the music business?

MW: I worked at (entertainment law firm) Mitchell Silberberg & Knupp, through a temp agency. I was 17.

RM64: Did you have aspirations to be in the music business at that time?

MW: I did. I was sitting in history class in Northridge and I was ‘what am I doing here?’ I only care about music and movies, anything to take me out of my life. I didn’t want to make movies because I couldn’t compete with my dad, he was just too good at it. I went home and said ‘I’m not going to school anymore.’ My parents said if I wasn’t going to go to school then I had to get a job. I called Apple Temp Agency on Sunset and they got me in as a temp in the file room at MS&K.

RM64: So what happened next?

MW: I meet attorneys Abe Summer, Milt Olin and Peter Lopez who were working in the music division. I suggested that they get a scout because they wanted new developing acts. Then I brought them The Motels and Milt became the band’s lawyer. Interestingly enough it also led to my next job. Michael Lippman wanted to manage The Motels because he had just left Arista Records and wanted a young rock band. So Milt introduced me to Michael and I left MS&K and went to work for Michael’s management company. I told him I was 18 and he didn’t get the band, but he did get me.

RM64: So you lied?

MW: Yes. (laughs) I was still 17.

RM64: What was your role with Michael?

MW: Well, first I was his receptionist. Then I became the production assistant for Ron Nevison and Harry Maslin helping with producer duties, like booking the studios , watching the budgets, getting food for them, very glamorous. I also worked with Eric Carmen and Melissa Manchester as kind of their day to day assistant. I worked for Michael for a long time, he taught me the business in a way I’m very lucky to have learned. He taught the big picture, record company, publishing, imaging and touring. If you knew that you could manage, if you didn’t, you had to learn it all. Nothing has been more valuable to me.

RM64: So you became a day-to-day manager?

MW: You didn’t call it that then. None of those fancy terms came about. You were paid no money. You didn’t get a TV. You got phones thrown at you and you helped throw their parties. There weren’t any ‘day-to-day’ managers or anything like that. You were their assistant. And you did whatever you were told to do. There was no entitlement, that started in the 90’s. And you were really happy to do it. I remember I got Eric Carmen the wrong blow dryer and it was a disaster. Literally, he kicked me out of the apartment. He was screaming ‘how am I going to do my hair now!’ I don’t know if you know anything about Eric, but his hair was perfect…

RM64: Quaffed hair?

MW: Yes, but it was perfect and it took him like an hour to do and I got him the wrong blow dryer. I almost got fired for that!

Eric Carmen with his perfect quaff

RM64: That’s funny. Back to management…

MW: Yes in today’s terms you would call it being a day-to-day manager. Back then you were just the assistant and you were really happy to be learning. But you could read all the contracts and deal memos that came in. And all the phones had mute buttons. It was awesome because you were on the phone taking notes for your boss, but you were really learning an immense amount. You were hearing how they manipulated the whole situation and how they negotiated and how it all worked by hearing both sides of it. Now I think people don’t even sit in the offices with their assistants. And they certainly aren’t allowed to make phone calls for you anymore or any of that stuff, but that’s how I learned everything. I sat on the couch across from Michael and I was on the phone all day.

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