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	<title>RM64.blog &#187; Uncategorized</title>
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	<link>http://rm64.com</link>
	<description>A blog regarding RM64.com</description>
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		<title>Fresh Ink: Imagem Music signs Parade of Lights</title>
		<link>http://rm64.com/2012/02/02/fresh-ink-imagem-music-signs-parade-of-lights/</link>
		<comments>http://rm64.com/2012/02/02/fresh-ink-imagem-music-signs-parade-of-lights/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 01:03:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Imagem Music]]></category>
		<category><![CDATA[Parade of Lights]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7637</guid>
		<description><![CDATA[Independent music pubco Imagem Music USA has announced the signing of RM64-tipped act Parade of Lights to a worldwide co-publishing agreement. The Las Vegas-based band is comprised of core members Ryan Daly and Anthony Improgo, previously of Hellogoodbye and Metro Station, respectively, and is managed by Seth Keller for SKM Artist Management and Brian Saliba [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_7638" class="wp-caption alignnone" style="width: 510px"><img class="size-medium wp-image-7638" title="ParadeOfLights-1" src="http://rm64.com/wp/wp-content/uploads/2012/02/ParadeOfLights-1-500x333.jpg" alt="" width="500" height="333" /><p class="wp-caption-text">Sin City&#39;s Parade of Lights signs co-pub deal with Imagem Music USA</p></div>
<p>Independent music pubco <strong>Imagem Music USA</strong> has announced the signing of <strong>RM64</strong>-tipped act <strong>Parade of Lights</strong> to a worldwide co-publishing agreement. The Las Vegas-based band is comprised of core members <strong>Ryan Daly</strong> and <strong>Anthony Improgo</strong>, previously of <strong>Hellogoodbye</strong> and <strong>Metro Station</strong>, respectively, and is managed by <strong>Seth Keller</strong> for <strong>SKM Artist Management </strong>and <strong>Brian Saliba</strong> for <strong>Bogus Productions</strong>. Parade of Lights, signed by Imagem&#8217;s L.A.-based Creative Director <strong>Jon Pikus</strong>, who commented “I am excited to help them on their journey to reach a larger audience, and additionally to place Ryan and Anthony into co-writing situations with others,&#8221; has had numerous TV placements and is currently working on their latest EP <em>Born to Live, Born to Love</em>. <a href="http://www.facebook.com/paradeoflights"><span style="color: #0000ff;">http://www.facebook.com/paradeoflights</span></a></p>
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		<title>More from Dive Into Media: Vevo, Spotify &amp; Neil Young</title>
		<link>http://rm64.com/2012/02/01/more-from-dive-into-media-vevo-spotify-neil-young/</link>
		<comments>http://rm64.com/2012/02/01/more-from-dive-into-media-vevo-spotify-neil-young/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 00:16:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[EMI]]></category>
		<category><![CDATA[Google Music]]></category>
		<category><![CDATA[Neil Young]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[Universal Music]]></category>
		<category><![CDATA[Vevo]]></category>
		<category><![CDATA[Warner Music]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7633</guid>
		<description><![CDATA[ 
Vevo CEO Rio Caraeff, made the first public statements regarding the video site&#8217;s profitability at the digital media conference this week, putting it plainly, “We are making money, yes,” with a reported $150 million in revenue last year. In terms of the future, Caraeff predicted that the joint-venture, which includes Sony Music, Universal Music [...]]]></description>
			<content:encoded><![CDATA[<p><strong> </strong></p>
<div id="attachment_7634" class="wp-caption alignright" style="width: 226px"><strong><img class="size-full wp-image-7634  " title="Neil-Young" src="http://rm64.com/wp/wp-content/uploads/2012/02/Neil-Young.jpg" alt="" width="216" height="122" /></strong><p class="wp-caption-text">Neil Young addresses labels, piracy &amp; more</p></div>
<p><strong>Vevo</strong> CEO <strong>Rio Caraeff</strong>, made the first <span style="color: #0000ff;"><a href="http://www.reuters.com/article/2012/02/01/idUS262789440520120201" target="_blank">public statements</a> </span>regarding the video site&#8217;s profitability at the digital media conference this week, putting it plainly, “We are making money, yes,” with a reported $150 million in revenue last year. In terms of the future, Caraeff predicted that the joint-venture, which includes <strong>Sony Music</strong>, <strong>Universal Music</strong> and <strong>EMI</strong>, could be a billion dollar business in a &#8220;short period of time&#8221;&#8230; Meanwhile, <strong>Edgar Bronfman Jr.</strong> lauded <strong>Spotify</strong> as being artist-friendly and not detrimental to download sales, during his <a href="http://venturebeat.com/2012/01/31/bronfman-on-google-music/" target="_blank"><span style="color: #0000ff;">interview</span></a>, and called <strong>Google Music</strong> an oxymoron, explaining that there&#8217;s no &#8220;beef&#8221; between <strong>Warner Music</strong> and Google, but they need to decide if they want to be a content platform&#8230; And <strong>Neil Young </strong><a href="http://blogs.wsj.com/speakeasy/2012/01/31/neil-young-defends-both-record-companies-and-piracy/?mod=WSJBlog" target="_blank"><span style="color: #0000ff;">addressed</span></a> a number of topics including audio quality, record labels, piracy and how he and the late <strong>Steve Jobs</strong> has discussed how to reconcile the current issues facing the digital music era by combining all three.</p>
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		<title>Outgoing Warner Music Chairman maligns Universal acquiring EMI</title>
		<link>http://rm64.com/2012/02/01/outgoing-warner-music-chairman-maligns-universal-acquiring-emi/</link>
		<comments>http://rm64.com/2012/02/01/outgoing-warner-music-chairman-maligns-universal-acquiring-emi/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 23:10:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Edgar Bronfman Jr]]></category>
		<category><![CDATA[EMI]]></category>
		<category><![CDATA[Universal Music Group]]></category>
		<category><![CDATA[Warner Music Group]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7628</guid>
		<description><![CDATA[Speaking at the Dive Into Media conference yesterday in California, on what was his last day as Chairman of Warner Music Group, Edgar Bronfman Jr. didn&#8217;t mince any words when it came to the topic of Universal Music Group&#8217;s planned acquisition of the EMI recorded music division. &#8220;It does strike me as hubris particularly for Universal [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_7630" class="wp-caption alignnone" style="width: 510px"><img class="size-medium wp-image-7630" title="dmedia-bronfman" src="http://rm64.com/wp/wp-content/uploads/2012/02/dmedia-bronfman-500x333.jpg" alt="" width="500" height="333" /><p class="wp-caption-text">Edgar Bronfman Jr. speaks with AllThingsD&#39;s Peter Kafka</p></div>
<p>Speaking at the <strong>Dive Into Media</strong> conference yesterday in California, on what was his last day as Chairman of <strong>Warner Music Group</strong>, <strong>Edgar Bronfman Jr.</strong> didn&#8217;t mince any words when it came to the topic of <strong>Universal Music Group</strong>&#8217;s planned acquisition of the <strong>EMI</strong> recorded music division. &#8220;It does strike me as hubris particularly for Universal to think it&#8217;s going to be easy to buy EMI, and frankly to think they can buy EMI at all,&#8221; said Bronfman, also saying that the merger would create a &#8220;super-major&#8221; that would not only control the future of recorded music, but &#8220;the future of all digital media.&#8221; He also confirmed that Warner Music would indeed be fighting the deal, as was expected with the recent news of WMG&#8217;s hiring of an anti-trust lobbyist firm. Bronfman also denied that the failure to successfully acquire EMI was the impetus for his departure as chairman, and that his biggest regret looking back was his misjudgment in the mobile space, saying that the platform &#8220;took longer to mature than I thought at the time.”</p>
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		<title>Checking the vital signs of &#8216;Rock&#8217;</title>
		<link>http://rm64.com/2012/01/25/checking-the-vital-signs-of-rock/</link>
		<comments>http://rm64.com/2012/01/25/checking-the-vital-signs-of-rock/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 20:23:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7616</guid>
		<description><![CDATA[The current state of  Rock has been a up for discussion recently for a variety of reasons, but the consensus seems to be that it remains the tortoise to Pop act&#8217;s hare, sticking around for the long-run.  A piece in The Guardian yesterday put a spotlight on the question of rock music&#8217;s health in the UK, [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-7617 alignright" title="ekg" src="http://rm64.com/wp/wp-content/uploads/2012/01/ekg.jpg" alt="" width="153" height="152" />The current state of  <em>Rock</em> has been a up for discussion recently for a variety of reasons, but the consensus seems to be that it remains the tortoise to <em>Pop</em> act&#8217;s hare, sticking around for the long-run.  A piece in <strong><a href="http://www.guardian.co.uk/music/2012/jan/24/rock-music-death-guitar-band?newsfeed=true" target="_blank"><span style="color: #0000ff;">The Guardian</span></a></strong> yesterday put a spotlight on the question of rock music&#8217;s health in the UK, and while it remains the driving force behind the touring business, comments from <strong>Cerne Canning</strong> who manages <strong>Franz Ferdinand</strong> and <strong>the Vaccines</strong> did weigh-in saying, &#8220;it&#8217;s as hard [to break a guitar band] as it has been since I&#8217;ve been involved with music, since the mid-80s.&#8221; And as to why there has been a slump, <strong>Neil Pengelly</strong>, who books acts for <strong>Reading</strong> and <strong>Leeds</strong> festivals, points to the lack of a big scene, ala the 90&#8217;s Britpop and the garage-rock revival of the early 2000&#8217;s&#8230; Meanwhile in America, <strong><a href="http://www.rollingstone.com/music/news/on-the-charts-the-black-keys-and-coldplay-prove-rocks-staying-power-20120125" target="_blank"><span style="color: #0000ff;">Rolling Stone</span></a></strong> is quick to point to three rock releases with staying-power in <strong>The Black Keys</strong>, <strong>Coldplay</strong> and <strong>Nickelback</strong>, which continue to live in the Top 10 this week.</p>
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		<title>Crush Management hires Capone as VP of Radio Promotions</title>
		<link>http://rm64.com/2012/01/25/crush-management-hires-capone-as-vp-of-radio-promotions/</link>
		<comments>http://rm64.com/2012/01/25/crush-management-hires-capone-as-vp-of-radio-promotions/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 18:50:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[91X]]></category>
		<category><![CDATA[Crush Management]]></category>
		<category><![CDATA[EMI Music]]></category>
		<category><![CDATA[IRS Records]]></category>
		<category><![CDATA[Jonathan Daniel]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7613</guid>
		<description><![CDATA[It was announced late last week that Crush Management and its founders Jonathan Daniel and Bob McLynn, have hired Garrett Capone to take the newly created position of VP of Radio Promotions. Capone will exit his role as PD of San Diego&#8217;s 91X alternative station at the end of February to join Crush, whose roster includes [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-7614" title="crush mgt" src="http://rm64.com/wp/wp-content/uploads/2012/01/crush-mgt.jpg" alt="" width="262" height="135" />It was announced late last week that <strong>Crush Management</strong> and its founders <strong>Jonathan Daniel</strong> and <strong>Bob McLynn</strong>, have hired <strong>Garrett Capone</strong> to take the newly created position of VP of Radio Promotions. Capone will exit his role as PD of San Diego&#8217;s <strong>91X</strong> alternative station at the end of February to join Crush, whose roster includes <strong>Train</strong>, <strong>Fall Out Boy</strong>, <strong>Panic! At the Disco</strong>, <strong>Travie McCoy</strong> &amp; <strong>Gym Class Heroes</strong>, <strong>Cobra</strong> <strong>Starship</strong>, <strong>Sia</strong>,<strong>Wavves</strong>, <strong>Chiddy Bang</strong> and others. He will reportedly also be heavily involved with the relaunching of <strong>I.R.S. Records</strong> - it was announced last summer that <strong>EMI Music</strong> was reviving I.R.S. as a frontline label in partnership with Crush - working<strong> </strong>projects including the new release from <strong>Foxy Shazam</strong> among others.</p>
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		<title>The Orchard &amp; Frenchkiss Records to launch new label group</title>
		<link>http://rm64.com/2012/01/25/the-orchard-frenchkiss-records-to-launch-new-label-group/</link>
		<comments>http://rm64.com/2012/01/25/the-orchard-frenchkiss-records-to-launch-new-label-group/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 18:14:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Frenchkiss Records]]></category>
		<category><![CDATA[Les Savy Fav]]></category>
		<category><![CDATA[Local Natives]]></category>
		<category><![CDATA[Passion Pit]]></category>
		<category><![CDATA[The Hold Steady]]></category>
		<category><![CDATA[The Orchard]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7610</guid>
		<description><![CDATA[
Independent distro company The Orchard in partnership with Frenchkiss Records and label founder Syd Butler, announced today the formation of the Frenchkiss Label Group, which will serve as a potential new home for developing labels, in spirit similar to indie powerhouse Secretly Canadian. “Playing music and operating a successful music label is what I know and love. The [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-7611" title="FKLG" src="http://rm64.com/wp/wp-content/uploads/2012/01/FKLG.jpg" alt="" width="500" height="300" /></p>
<p>Independent distro company <strong>The Orchard</strong> in partnership with <strong>Frenchkiss Records</strong> and label founder <strong>Syd Butler</strong>, announced today the formation of the <strong>Frenchkiss Label Group</strong>, which will serve as a potential new home for developing labels, in spirit similar to indie powerhouse <strong>Secretly Canadian</strong>. “Playing music and operating a successful music label is what I know and love. The Frenchkiss Label Group presents an opportunity for developing labels to learn from my achievements and mistakes,” says Butler. The formation of the new label group comes after The Orchard recently expanded its relationship with Frenchkiss Records, home to acts like <strong>Local Natives</strong>, <strong>Les Savy Fav</strong>, <strong>Passion Pit </strong>and <strong>The Hold Steady</strong>, by adding physical distribution duties to an existing global digital deal. The group&#8217;s daily operations will be headed by <strong>Jordy Trachtenberg</strong>, formerly of <strong>Gammon Records</strong>. FKLG is currently accepting label submissions.</p>
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		<title>Digital Round Up: Grooveshark legal spat takes interesting turns; Will Vevo swap YouTube for Facebook?; Megaupload action &amp; more</title>
		<link>http://rm64.com/2012/01/20/digital-round-up-grooveshark-legal-spat-takes-interesting-turns-will-vevo-swap-youtube-for-facebook-megaupload-action-more/</link>
		<comments>http://rm64.com/2012/01/20/digital-round-up-grooveshark-legal-spat-takes-interesting-turns-will-vevo-swap-youtube-for-facebook-megaupload-action-more/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 21:09:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Grooveshark]]></category>
		<category><![CDATA[Megaupload]]></category>
		<category><![CDATA[Slacker Radio]]></category>
		<category><![CDATA[Ticketmaster]]></category>
		<category><![CDATA[Universal Music Group]]></category>
		<category><![CDATA[Vevo]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7591</guid>
		<description><![CDATA[If you&#8217;ve been following the story of Grooveshark&#8217;s most recent legal fray with major labels, spearheaded by Universal Music Group, you know that the federal lawsuit charges that executives at the digital music company personally uploaded illegal content. In an odd twist to the case, an incriminating anonymous post on Digital Music News from a [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-7592" title="Grooveshark-logo" src="http://rm64.com/wp/wp-content/uploads/2012/01/Grooveshark-logo.jpg" alt="" width="221" height="133" />If you&#8217;ve been following the <a href="http://mediadecoder.blogs.nytimes.com/2012/01/18/digital-notes-grooveshark-copyright-suit-and-its-unusual-evidence/?smid=tw-mediadecoder&amp;seid=auto" target="_blank"><span style="color: #0000ff;">story</span></a> of <strong>Grooveshark</strong>&#8217;s most recent legal fray with major labels, spearheaded by <strong>Universal Music Group</strong>, you know that the federal lawsuit charges that executives at the digital music company personally uploaded illegal content. In an odd twist to the case, an incriminating anonymous post on <strong>Digital Music News</strong> from a supposed employee, lead to Grooveshark&#8217;s parent company serving the industry blog with a subpoena last weekend, which DMN <a href="http://digitalmusicnews.com/permalink/2012/120119deargrooveshark#ohQZY9XygVhaQF5Y6JdLAA" target="_blank"><span style="color: #0000ff;">responded</span></a> to today. And in the midst of all the activity surrounding the lawsuits, Grooveshark released a new <strong><a href="http://evolver.fm/2012/01/13/grooveshark-launches-iphone-app-in-face-of-major-label-lawsuits/" target="_blank"><span style="color: #0000ff;">iPhone</span></a></strong> app this week, and also pulled the plug on its service in Germany citing too high of licensing costs from <strong>GEMA</strong>&#8230; Elsewhere this week, <strong>Ticketmaster</strong> launched its new robust <a href="http://www.billboard.com/news/ticketmaster-launches-new-facebook-app-1005921752.story#/news/ticketmaster-launches-new-facebook-app-1005921752.story" target="_blank"><span style="color: #0000ff;"><strong>Facbook</strong> app</span></a>, which allows fans to see what shows or events their friends are attending as well as buy tickets within the Facebook platform, among a number of other social aspects, and it also features an integration with <strong>Spotify</strong>&#8230; Other Facebook news includes <a href="http://news.cnet.com/8301-31001_3-57362453-261/facebook-in-talks-to-replace-youtube-as-vevos-host/" target="_blank"><span style="color: #0000ff;">reports</span></a> that major label-backed video site <strong>Vevo</strong> has been in talks with Facebook about moving the service over to the social network&#8217;s platform upon the conclusion of its current deal with <strong>Google</strong>-owned<strong> Youtube</strong>. Such a deal would be a considerable boon for Facebook&#8217;s music component, and while Vevo has grown to the second largest online video destination, its quick rise to popularity did come on the back of Youtube&#8217;s dominant position as the #1 online video destination&#8230; The bizarre saga of <strong>Megaupload</strong> (remember the song and promotional video featuring <strong>Will.i.am</strong> and other celebrities that was pulled offline recently?) may be coming to a close with major <a href="http://www.nytimes.com/2012/01/20/technology/indictment-charges-megaupload-site-with-piracy.html?_r=2" target="_blank"><span style="color: #0000ff;">federal action</span></a> being taken against the internet &#8216;locker&#8217; service and its executives yesterday. The arrests and seizures were followed by retaliations from <em>Anonymous </em>hackers who targeted multiple websites including those of the <strong>DOJ</strong>, <strong>MPAA</strong>, Universal Music Group and others&#8230;  Meanwhile, an interview this week on <a href="http://www.fastcompany.com/1809061/slacker-radio-ceo-cant-say-whether-music-streaming-business-models-are-sustainable?partner=gnews" target="_blank"><span style="color: #0000ff;"><strong>Fast Company</strong></span></a> tries to pin-down <strong>Slacker Radio</strong>&#8217;s CEO <strong>Jim Cady</strong> on the hotly-debated issue of whether or not streaming-music rates create a sustainable source of income for artists.</p>
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		<title>EMI Sale: Warner Music hires antitrust lobbying firm, UK indies take AIM at deal</title>
		<link>http://rm64.com/2012/01/19/emi-sale-warner-music-hires-antitrust-lobbying-firm-uk-indies-take-aim-at-deal/</link>
		<comments>http://rm64.com/2012/01/19/emi-sale-warner-music-hires-antitrust-lobbying-firm-uk-indies-take-aim-at-deal/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 23:34:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[AIM]]></category>
		<category><![CDATA[EMI]]></category>
		<category><![CDATA[Sony Music]]></category>
		<category><![CDATA[Universal Music]]></category>
		<category><![CDATA[Warner Music]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7584</guid>
		<description><![CDATA[The LegalTimes blog reported on Tuesday that Warner Music Group has hired the lobbyist team of Brownstein Hyatt Farber Schreck, who filed registration report paperwork with Congress last week indicating it would be lobbying on antitrust matters &#8211; presumably in an effort to block the completion of Citigroup&#8217;s sale of EMI. The Brownstein team lobbied [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-7585" title="Association_of_Independent_Music" src="http://rm64.com/wp/wp-content/uploads/2012/01/Association_of_Independent_Music.jpg" alt="" width="185" height="123" />The <strong>LegalTimes</strong> <a href="http://legaltimes.typepad.com/blt/2012/01/brownstein-hired-to-lobby-for-music-label-on-antitrust-issues.html" target="_blank">blog</a> reported on Tuesday that <strong>Warner Music Group </strong>has hired the lobbyist team of <strong>Brownstein Hyatt Farber Schreck</strong>, who filed registration report paperwork with Congress last week indicating it would be lobbying on antitrust matters &#8211; presumably in an effort to block the completion of <strong>Citigroup</strong>&#8217;s sale of <strong>EMI</strong>. The Brownstein team lobbied against the acquisition of <strong>T-Mobile</strong> by <strong>AT&amp;T</strong> last year, a merger bid which was ultimately dropped in December&#8230; Meanwhile, <strong>AIM</strong> the UK independent trade organization has <a href="http://www.musicweek.com/story.asp?sectioncode=1&amp;storycode=1048177&amp;c=1" target="_blank"><span style="color: #0000ff;">launched</span></a> an offensive to urge the government to review the break-up of EMI to the winning bidders in <strong>Universal Music</strong> and <strong>Sony Music</strong> (via Sony&#8217;s interest in the group which bid on <strong>EMI Music Publishing</strong>). The campaign includes reference to the extraordinary recent success of independent-label act <strong>Adele</strong>, given the current state of the industry, and that the increased size of Universal and Sony would make such a phenomenon even more difficult to achieve. It is also said to include quotes from <strong>Beggars Group </strong>chief <strong>Martin Mills</strong> calling the deal &#8220;breathtaking arrogance&#8221; and &#8220;bad news for almost everyone involved in the art and business of music&#8221;.</p>
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		<title>Influential industry gathering Sunset Sessions celebrates 15th anniversary</title>
		<link>http://rm64.com/2012/01/19/influential-industry-gathering-sunset-sessions-celebrates-15th-anniversary/</link>
		<comments>http://rm64.com/2012/01/19/influential-industry-gathering-sunset-sessions-celebrates-15th-anniversary/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 23:34:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Atlantic Records]]></category>
		<category><![CDATA[Jason Mraz]]></category>
		<category><![CDATA[Jimmy Cliff]]></category>
		<category><![CDATA[Sunset Sesssions]]></category>
		<category><![CDATA[The Black Keys]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7581</guid>
		<description><![CDATA[Next month the annual private industry event, Sunset Sessions, will celebrate its 15th year running of putting new and established acts in front of radio programmers and music supervisors for films, TV shows, videos and commercials. Past artists to perform at the event include The Black Keys, AWOLNATION and GIVERS among many others. This year the [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_7582" class="wp-caption alignnone" style="width: 510px"><img class="size-medium wp-image-7582" title="JImmy_and_Tim_lo_res" src="http://rm64.com/wp/wp-content/uploads/2012/01/JImmy_and_Tim_lo_res-500x333.jpg" alt="" width="500" height="333" /><p class="wp-caption-text">Jimmy Cliff is among this years performers at Sunset Sessions</p></div>
<p>Next month the annual private industry event, <strong>Sunset Sessions</strong>, will celebrate its 15th year running of putting new and established acts in front of radio programmers and music supervisors for films, TV shows, videos and commercials. Past artists to perform at the event include <strong>The Black Keys</strong>, <strong>AWOLNATION</strong> and <strong>GIVERS</strong> among many others. This year the showcases will feature<strong> Jimmy Cliff</strong>, <strong>Wayne Coyne</strong>, <strong>Lucinda Williams</strong> and others as well as alumni <strong>Jason Mraz</strong> &#8211; who along with his label <strong>Atlantic Records</strong>, attributes much of the artist&#8217;s past momentum to his performances at the event. A number of industry heavyweights will speak on event panels as well, including <strong>Danny Goldberg</strong>, <strong>Kevin Lyman</strong>, <strong>Alex Patsavas</strong> and <strong>Bill Armstrong</strong>. For more info on the history of Sunset Sessions and its founder <strong>Michelle Clark</strong>, read the recent profile on <a href="http://www.utsandiego.com/news/2012/jan/13/sunset-sessions-celebrates-15-years-musical-big-br/?page=1#article" target="_blank"><span style="color: #0000ff;"><strong>UTSanDiego.com</strong></span></a>.</p>
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		<title>YouTube &amp; record labels engaged in renewal talks</title>
		<link>http://rm64.com/2012/01/13/youtube-record-labels-engaged-in-renewal-talks/</link>
		<comments>http://rm64.com/2012/01/13/youtube-record-labels-engaged-in-renewal-talks/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 20:20:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[EMI]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Sony Music]]></category>
		<category><![CDATA[Universal Music]]></category>
		<category><![CDATA[Warner Music]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://rm64.com/?p=7560</guid>
		<description><![CDATA[According to an article by Greg Sandoval on CNET this morning, Universal Music, Sony Music and EMI are all in the process of negotiating renewed licenses with YouTube, while Warner Music, whose relationship with the Google-owned video site has been particularly tenuous in previous years, is noticeably not mentioned.  According to the piece, deals are close [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-thumbnail wp-image-7561 alignleft" title="youtube-logo" src="http://rm64.com/wp/wp-content/uploads/2012/01/youtube-logo-150x106.jpg" alt="" width="150" height="106" />According to an article by <strong>Greg Sandoval</strong> on <a href="http://news.cnet.com/8301-31001_3-57358695-261/frictionless-commerce-youtube-music-labels-close-to-renewing-licenses/?tag=txt;title" target="_blank"><span style="color: #0000ff;"><strong>CNET</strong></span></a> this morning, <strong>Universal Music</strong>, <strong>Sony Music </strong>and <strong>EMI</strong> are all in the process of negotiating renewed licenses with <strong>YouTube</strong>, while <strong>Warner Music</strong>, whose relationship with the <strong>Google</strong>-owned video site has been particularly tenuous in previous years, is noticeably not mentioned.  According to the piece, deals are close at hand, with the labels focused on increased anti-piracy measures by the site, as well of course, as larger licensing fees. It appears at least one of the three label groups may have already reached a new agreement with Youtube.</p>
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